The social significance of the modern drama
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| Format: | Book |
| Language: | English |
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Richard G. Badger
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| 100 | |a 20011122u u u0frey50 | ||
| 200 | 1 | |a The social significance of the modern drama | |
| 101 | 0 | |a eng | |
| 215 | |a 315 p. |c ill. Portr. |d 19 cm | ||
| 300 | |a Déd. au CIRA, Tom Keell coll., Signé T.N. Keell, june/14. | ||
| 330 | |a Foreword THE SCANDINAVIAN DRAMA Henrik Ibsen - The Pillars of Society - A Doll's House - Ghosts - An Enemy of Society August Strindberg - The Father - Countess Julie - Comrades THE GERMAN DRAMA Hermann Sudermann - Magda - The Fires of St. John Gerhart Hauptmann - Lonely Lives - The Weavers - The Sunken Bell Frank Wedekind - The Awakening of Spring THE FRENCH DRAMA Maurice Maeterlinck - Monna Vanna Edmond Rostand - Chantecler Brieux - Damaged Goods - Maternity THE ENGLISH DRAMA George Bernard Shaw - Mrs. Warren's Profession - Major Barbara John Galsworthy - Strife - Justice - The Pigeon Stanley Houghton - Hindle Wakes Githa Sowerby - Rutherford and Son THE IRISH DRAMA William Butler Yeats - Where There Is Nothing Lenox Robinson - Harvest T. G. Murray - Maurice Harte THE RUSSIAN DRAMA Leo Tolstoy - The Power of Darkness Anton Tchekhof - The Seagull - The Cherry Orchard Maxim Gorki - A Night's Lodging Leonid Andreyev - King-Hunger | ||
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| 702 | 1 | |a Houghton |b , Stanley |9 id:8536 | |
| 702 | 1 | |a Galsworthy |b , John |9 id:6721 | |
| 702 | 1 | |a Shaw |b , George Bernard |9 id:16461 | |
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| 702 | 1 | |a Wedekind |b , Frank |9 id:18595 | |
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| 210 | |a Boston |b Boston USA |c Richard G. Badger |d 1914 |z USA |9 id:6343 | ||
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| 606 | 1 | |9 id:347 |9 lang:fr_FR |9 idthes:1 |a Théâtre | |